Archive for September, 2012

For All It’s Worth

Posted in Andrew Loomis, Instruction with tags , , , , , , , , , , on September 15, 2012 by bigbabyhead

I had this book when I was 11 years old. It’s still in print after nearly 60 years. Ask any artist who works and they are familiar with Andrew Loomis’s book.

 

A link to more about him another great blog about illustrators here.

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Bridgman’s art class 1911

Posted in George Bridgman, Instruction with tags , , , , , on September 15, 2012 by bigbabyhead

A great story about Geo Bridgeman’s art class and examples of his student’s work.

Story and more examples from a great blog about illustration here.

I think you can find an instructional book by him at Amazon.

Colorhead

Posted in Uncategorized with tags , , , , on September 13, 2012 by bigbabyhead

Colorhead

18×24, conte on newsprint

Costruzione di una Testa

Posted in Uncategorized with tags , , , on September 12, 2012 by bigbabyhead

Costruzione di una Testa.

Found Art on WP.

Something Sarah found

Posted in Uncategorized with tags , , on September 12, 2012 by bigbabyhead

Art Venti,colored pencil work. Saatchi Online. Thanks Sarah

Self Help

Posted in Troy Eittreim with tags , on September 12, 2012 by bigbabyhead

Troy Eittreim SCAD grad, Librarian, Historian, Coffee Drinker …is there anything he doesn’t do??

More stuff here. Cracks me up.

 

Posted in Uncategorized on September 12, 2012 by bigbabyhead

New Britain Museum of American Art

This post comes to us from Alex Salazar, Curatorial Intern.

“Since the dawn of picture-making, illustrators have taken the tools available to them to document and react to the world around them,” explains Scott Bakal, the curator of Pixelated: The Art of Digital Illustration.  The face of art is constantly changing, and new tools like Adobe Photoshop and Corel Painter are exposing artists to a virtually unlimited range of possibilities.  On view at the New Britain Museum of American Art’s Low Illustration Gallery until Dec. 9th, 2012, this exhibition showcases “the brilliant ideas and processes that go into making illustrations today.”

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